antoni tapies / dlm 253 / 22/035

Over the course of his career in painting, printmaking, and etching, Antoni Tàpies has created his own lexicon of symbols and marks to help communicate the broad range of influences in his work including, most significantly, his Catalan roots, as well as his involvement with the Parisian intellectual scene of the 1950s, meeting exponents of Art informel like Jean Fautrier and Jean Dubuffet. Tàpies’s abstract paintings are made with expressive blends of impasto, gestural brush strokes, often backwards hand-written script, and common materials such as soil and marble dust.

Paris: Maeght, 1982. A fine copy.
lithograph
from Editions Maeght, Paris
derriere le miroir number 253
showing double folds as issued

frame: 600 x 1055mm
john hinds frame with conservation mount and glazing

fine condition

for information regarding this or any other print, please contact me on:
+44 (0) 7713399961
gp@twentiethcenturyprints.com
or via the "how to contact me" page on www.twentiethcenturyprints.com

122 grove lane
london se5 8bp
(by appointment only)